A Cat's Head Basket

A lack of blog posts doesn't mean a lack of things to blog about, just a lack of time. Take this post for example, you'll see I have been busy with something a little different. 
I branched out (pardon the pun) into a slightly different branch of the fibre world and took a course in basketry from Joan Carrigan on Saltspring Island.
Joan is a very accomplished basketry artist. Check out her web site to see her gallery of works and see her workshop list.
What fun we had! A group of six of us met and worked side-by-side for the day on these Cat's Head baskets. Cat's head is from the shape of the basket when held upside down. It looks like a cat's head with each corner like ears on a round head.

   

We used red cedar for the main structure and used willow bark to weave a twill pattern onto and through the cedar. Yellow cedar was used to twine the edges together with a couple of rows of waxed linen thread to accent the rim. And just look at the finished baskets. So inspired, I have signed up for another one in a week.

NOT Art yarn

[Photo: Jacey Boggs, wearing a
beehive coil-to-be]

I spent the weekend on Quadra island with an inspiring instructor -- Jacey Boggs, and 11 other students. We were there to learn 'hardcore and softcore' spinning, which is another name for textured yarns and is NOT another name for Art Yarn. Jacey rues the day when she coined the term 'Art Yarn'. The term was originally meant for yarn with integrity, yarn with structure, yarn that is usable and not just something to put on the mantelpiece. But that meaning has been lost and the term is now being used for yarn that is pretty to look at but not much good for making anything. For two days we learned how to create yarns with structure, with integrity. We learned how to make textured yarns, interesting, beautiful to look at, fun and usable yarns.  

[Photo: Stephanie's beehive coils]

We used some wonderful fibres. A beautiful hand painted merino top (sponsored by SpringtreeRoad) which we used for thick and thin yarn and for coils and an incredible batt from Sayra of Atomic Blue. You have not seen batts until you've seen these! Check out their products with the links embedded.

[Photo: AtomicBlue batt and yarn samples.
Much more vivid in real life]

Jacey has a book coming out this fall (December?) on making textured yarns --Spin Art: Mastering the Craft of Spinning Textured Yarn. I think this will be one of 'those' books that will have a tremendous impact on spinning. It will take spinning to a whole new level. I suspect it will generate a lot of buzz and a lot of new spinners. Keep an eye on her blog for this and for her new DVD (her current DVD covers this workshop). Heck, check her blog anyway. She's one of those special people that will inspire you and leave you envious of all her energy. 

[Photo: Michelle getting a kick out
of  being loaded into a tiny boat
and kidnapped]

I came away from the workshop just as energized (v. 1. to make energetic, vigorous or active. 2. another word for overspun kinky single yarn ) as the yarns we made. I also came home with Michelle, my soon to be Master Spinner Level 3 instructor! I have her tucked away in the guest cabin known as the Hilton. Yes. My own private spinning instructor. I may not let her off the island.

Tribal Textiles

[Photo: Judith's tribal rugs from Africa]

I've just come back from a wonderful 4 day workshop on Tribal Textiles taught by Judith McKenzie. Judith taught me spinning 25 years ago, so it was a wonderful way to reconnect up with her. So much to spin, so much to tell. It will take me a few postings to even begin to convey what was covered and the sense of adventure that went along with it.
It was held in the dead centre of vampire country apparently. One needs to be a female teenager or a vampire devotee to understand that the small town of Forks, Washington is the setting for the Twilight Series of books and movies about vampires, werewolves and teenage angst.

[Photo: Amy and Judith at the treaty line
(between the werewolves and the vampires)]

Vampires aside, we spent the four days learning from First Nations (Makah, Quileute, Salish), touring the Makah Museum at Neah Bay and behind the scenes at their storage facility, hiking to Cape Flattery, walking the beaches at La Push,working with cedar, Salish weaving and coiling, spinning, spinning and spinning, and, on one occasion howling at the moon.
Here's a list of fibres we spun or wove:
Texas mohair/wool - thigh spinning, Hemp, Hemp and feathers, hemp and down, Dog hair, Dog hair and feathers, dog hair and down, Wolf/wool, Bison/silk, Bison/wool, Cotton, and Cedar.
I'll try to do each one justice in later postings.